Design in Business Award 2008 winners, Methven, celebrate their win.
Luxury shower and tapware manufacturer, Methven, is the major winner of the Design in Business Award 2008, organised by the Designers Institute of New Zealand in association with Better by Design.
The Design in Business Awards, which were presented in Auckland on Thursday, September 18, recognise and celebrate New Zealand companies who have strategically used design to achieve commercial success and business growth.
Highly Commended Awards were made to AuCom, of Christchurch who manufacture and export soft starters for electric motors, and phil&teds, Wellington based designers and manufacturers of inline buggies and innovative nursery equipment.
Methven’s recent rapid growth and international success is an inspiring turnaround story. Until ten years ago, the company, which began in Dunedin in 1886, was a traditional tap and bathroom valving products company. However, in 1998 the company decided to change its strategy to concentrate on research and development with the aim of setting up a world class business with New Zealand as its design and engineering hub.
The company, still with headquarters in New Zealand but also bases in Australia and the UK, is now a world leading designer of luxurious proprietary water and energy efficient showerware, tapware, and valving products.
Design strategist and award judge David Walker, said he and fellow judges (Derek Lockwood, Worldwide Director of Design, Saatchi & Saatchi and Nevil Gibson, Editor in Chief, National Business Review) were looking for a company where design was built into the structure of the business and “infused in every outcome, act and operation.”
The judges said that as well as a track record of growth and exports, Methven was impressive in its communication skills, its brand story and the quality and sophistication of its products. So were many other entrants, but there were extra dimensions which set Methven apart.
Said Walker: “Firstly, Methven has a commitment to research and development as the platform for good design and success. Many companies do have good design, coherent stories and respectable business success. Fewer have a strong commitment to research and development.
“Secondly, Methven has a commitment to sustainable targets. This is especially crucial in products that rely on water supply. True, there are some gestures by NZ companies towards sustainability, but they are superficial and led by compliance or window dressing sometimes called ’greenwashing’. Here (with Methven) we have the real thing”.
While Methven had already developed core strategies in 1998 for long-term growth, the turning point came in 2005, after the company underwent a Better by Design audit, now called the Design 360 programme.
The design audit recommended that if Methven was to grow its business and product offerings it needed a global design head to lead the way; a stronger brand; and more marketing expertise to launch the company’s products into the highly competitive global marketplace. Methven soon appointed a Design Director, Kent Sneddon – the company now has a design team of 25, compared with two in 1992.
The Methven team then worked to identify gaps so they could develop products for specific markets and set up a “wet lab” so that all products could be tested from a human perspective.
This research led to the development of Satinjet shower technology in 2004, with its water saving capabilities (it uses less than half the water of a conventional showerhead) which made it ideal for the Australian market, where it is now the leading shower brand. Since 2006, the company has developed Maia, the world’s first beauty shower; the Kiri showerhead, an ultra low flow shower aimed at the hotel market; Kiri tapware, an upmarket range to compete with Italian and German manufacturers; the Tahi, a high end Satinjet shower system; and infusions, therapeutic and aromatic formulae delivered through the shower system.
These proprietary technologies have led to Methven winning a number of design awards (including a 2005 GOOD DESIGN award from the Chicago’s Athenaeum Museum).
Forty per cent of the company’s sales are now offshore and last year the company completed acquisition of UK tapware firm, Deva. In its financial year until March 2008, Methven reported an after tax profit of $9.8 million, up 37 per cent from 2007. Since it listed on the NZX in 2004 the company has had an unbroken record of profit growth.
Highly commended company AuCom is also a true Kiwi technology turnaround story. Founded in 1978, AuCom makes soft starters which reduce the maintenance for heavy machinery, particularly in the irrigation, marine and forestry areas.
AuCom manufactures the soft starters in Christchurch, which are sold through distributors in more than 70 countries. Sales have always been solid, as 50 per cent of the world’s electricity is used by electron motors, which require soft starters.
However, by 2005 the company was at a crossroads. Their technology was sharp, but their product design, service delivery and marketing collateral were anything but. As international companies began to develop copy cat products the company realised style and design were important, particularly if it was to continue to compete with international giants such as Siemens & Schneider, ABB and Rockwell.
Even though the company engineers were highly sceptical, the management team decided to invest in attending a Better by Design conference. They were so impressed that afterwards they decided to “give this thing called design a go” by undergoing a Better by Design 360 programme.
Since then the company hasn’t looked back. It has appointed a Director of Design, Craig Tuffnell, and design has been introduced at every level of the company.
Since 2005, sales have increased nearly 60 per cent. The company has had an international partnership with Danish Company, Danfoss, since 2001, but brand partners now include Toshiba (Japan) and Electronica Santerno (Italy). At the end of 2008, AuCom will start manufacturing a new product range for Danfoss, as well as product ranges for a new partner.
Also highly commended were phil&teds, another graduate of the Better by Design Design 360 programme. While phil&teds already had an innovative product - the market leading inline buggy – and a successful company, they had ambitions of expanding their business.The Design 360 assessment challenged the company’s thinking and showed if they wanted to achieve global success, they needed to place more emphasis on using design throughout their business.
So phil&teds initiated a two part strategy: the first involving a complete rebranding, and the second, a major expansion of its industrial design capabilities.
Since adopting their new positioning based around the premise that nursery products should eb aimed at helping parents manage their day, live their chosen lifestyle and retain their sense of self – even with kids in tow – the company’s overseas sales have increased tenfold.
The next step, which came a year later in 2006, involved expanding its design team to eight, led by Phil Brace, industrial design veteran and co-designer of the legendary Fisher & Paykel dishdrawer.
phil&teds has experienced massive growth since embracing design. They now do business in over 45 countries with a presence in more than 2,000 retail outlets. Exports make up 95 per cent of their business and full time employees have grown from 12 to 47 in just three years.
Eighty per cent of sales come from products they have created within the past three years. In 2007 phil&teds launched ten new products, and they intend to launch the same amount this year.
The company is making international ripples, with UK’s top nursery brand, Mothercare International, naming phil&teds as their first ‘brand of choice’, reporting that of the key brands introduced last year, phil&teds outperformed all of them in terms of sales and profits.
Other finalists in this year’s award were Amie Design Group, the makers of merino sleepwear for infants; Xero, an online accounting programme for small businesses; Sonar6, an online graphic based HR management tool; and Winegrowers of Ara, a Marlborough winery designed from a blank canvas of 1600 vacant hectares to (one day) become a global wine business.
This year, for the first time, a Design in Business Outstanding Individual Award was presented to Rick Wells, chairman of Formway Furniture, for his vision, leadership contribution and achievement in the field of design in business in New Zealand. He and a partner bought Formway Furniture as a small, locally focussed company in 1981 and turned it into a global exporting business with more than 200 staff by making design central to their business approach.
Previous winners of the Design in Business Award include Formway Furniture; Icebreaker; Furnware and OBO, and 2006 winners, Mokum Textiles, a family based company that designs and exports its own fabrics.
They say that when you are selling or purchasing a home, the two rooms that can truly sway a buyer’s decision are the bathroom and the kitchen.
Methven is a New Zealand based company, publicly listed in 2004, that knows this well, with their tap and showerware products adorning these two very important spaces not only in homes throughout the country, but increasingly, around the world.
Established in Dunedin way back in 1886, Methven is an iconic Kiwi company that has always placed a significant amount of emphasis on and invested heavily in product design, development and research, which has seen the company being awarded numerous national and international design awards for their unique proprietary products.
While Methven is the undisputed darling of the tapware market in New Zealand, with an estimated market share of 50 per cent, when the company decided they wanted to make a splash globally and be seen as an international design leader in the industry, they knew they needed an extra edge, especially if they were to successfully compete against the large established German, Italian and American brands.
While they had already developed core strategies in 1998 for long-term sustainable growth, the turning point for Methven came in 2005, after the company underwent a Better by Design audit.
The design audit illuminated that if Methven was to grow their business and product offerings they needed a global design head to lead the way; a stronger brand; and marketing expertise capable of successfully launching the company’s products into the highly competitive international marketplace.
With a vision to creating desirable product ranges for the international market that encapsulated Methven’s brand values and design philosophies, and with the information garnered from the design audit, Methven hired a new head of design, created a new position of global marketing manager, hired a team of new designers and adopted new design based strategies for product development, brand development and marketing.
The Methven team then worked to identify gaps and openings in various markets, while also undertaking studies on showering practices, so that they could develop products to suit each unique market.
This inevitably led to the development of the Satinjet shower technology. For quite some time Methven had been exploring ways to improve their end users shower experience, as well as ensuring the future growth of the company, and with Satinjet, they had found it.
Since 2006, the company has developed Maia, the world’s first beauty shower; the Kiri showerhead, an ultra low flow shower aimed at the hotel market; Kiri tapware, an upmarket range of tapware to compete with Italian and German manufacturers; the Tahi shower system, a high-end Satinjet shower system; and infusions, therapeutic and aromatic formulas delivered through the shower system.
The company has also embarked on an extensive brand development project led by the company’s chief marketing officer.
By utilising design throughout its business – from the consumer and its perception of the Methven product and brand, through to the design of its products and international retail take-up and acquisitions – Methven has opened up a number of opportunities that a few years ago, the company never would have dreamed of.
They have won numerous design awards, have been able to reach customers they never thought they could reach, have opened up new markets internationally, increased revenue and have grown a strong internal design-led culture.
While design has played a huge role in the iconic kiwi company’s success and has laid a foundation for their future growth, Methven says none of what they have achieved would have been possible without the support and foresight of its board, who not only believed in the power of design, but have fully embraced it.
Design is something that has “empowered” Christchurch based AuCom Electronics, a successful high technology exporter of soft starters, which control and protect 3 phase electric motors.
Core to the company’s success has been the identification and leveraging of the world’s best technologies and production methods, which have enabled the company to win a series of strategic supply agreements with multinational brand lines.
Established in 1981, AuCom Electronics attributes much of its past success to engineering talent. However, rather than resting on their laurels, the company began looking for something that would fuel its future growth plans and propel the business forward.
The answer – design.
While the company has now fully embraced design in their business, this wasn’t always the case. Prior to 2005, the company saw design as ‘window dressing’ and found their previous experience with designers ‘unsatisfying’.
Fast forward to 2008 and AuCom Electronics describe their company as “design empowered”. The business has an active lexicon of design language, a skill development programme in place, and design has been embedded into every aspect of the company.
Spearheaded by CEO Brent Archer, AuCom Electronics is making a substantial investment in design as part of its future growth strategy. The company sees design as complimenting the technology, production and engineering skills that are the traditional bedrock of the company.
They say that while it’s still early days, the results of their investment are now starting to show through.
Sceptical at first regarding the value that design could add to their business, the company first embarked on a major rebranding project as an initial test of how design could add value.
Happy with the results and sold on what design could do for their businesses bottom line, the company soon realised that if they wanted to continue improving their business through design that they needed to bring design awareness to all aspects of the business and create a culture of design-led innovation. They formed a dedicated team of people to focus on this, and appointed a director of design, cementing their commitment at the highest level.
After going through the Better by Design programme, the company read widely, networked and sought conversations and mentoring with others in the design space. Key staff attended formal design education programmes and sessions, and external consultants have been used for mentoring on specific projects to ensure that the company not only gains knowledge but also solutions.
With assistance from Better by Design, a significant investment has been made in various formal design projects across AuCom Electronics which has resulted in the company undertaking a brand revitalisation, improving usability, enhancing their website, developing a process for innovation and improving their product development programme and processes.
As a result of their efforts, sales have increased significantly and the company has secured a significant global distributor.
AuCom Electronics also report that as a result of embracing design their products are now better designed, and they are better able to provide their customers with what they really need.
You’d have to have been living under a rock not to realise that worldwide, the baby business is booming.
If you’ve visited a nursery store lately, chances are you were either shocked or amazed at the multitude of products on offer. While for some this is great news (as lack of choice is likely never going to a problem again), for those on the other side of the fence - the producers of the products – ensuring that their goods stand out amongst the crowd has become a key issue.
The nursery market become increasingly cluttered and saturated, which poses a challenge for manufacturers in the sector as now more than ever they need to find ways to differentiate themselves from their competitors if they are to successfully grab a slice of the booming baby goods pie.
This is something that leading Wellington based baby buggy manufacturer, phil&teds, is all too aware of.
While they realised that they had an innovative product – the inline buggy – and had already built up a successful company, phil&teds had ambitions of growing their business even further and knew differentiation would be the key to achieving that goal.
A Better by Design audit (now called the Design 360 programme) of phil&teds in 2005 challenged the company’s thinking, and showed that if they wanted to achieve real greatness, they needed to place more emphasis on using design throughout their business.
So phil&teds initiated a two part strategy: the first involving a complete re-branding of the business that encapsulated their uniqueness, and the second, a massive expansion of its industrial design capabilities.
With the help of consultants, phil&teds first went to work on developing a strong compelling brand – one that would set them apart from their competitors. They identified their uniqueness as being the focus on parents as the key customers, and, most importantly, their quirky, irreverent culture - both of which were to become the cornerstone of their new brand and marketing strategies.
Since adopting their new positioning - which is based around the idea that nursery products should be aimed at helping parents manage their day, live their chosen lifestyle and retain their sense of self, even with their kids in tow - the company’s overseas sales increase tenfold.
The quirkiness of the phil&ted brand is blatantly evident and touches every aspect of the business, extending from everything from the company’s point of sale systems, marketing strategies, right through to the its phone answering system and the ironic job descriptions of its staff - which include “chief cook and bottle washer” and “show and tell”.
The next step, which was to come a year later in 2006, involved enhancing the company’s design capabilities. phil&teds recognised that innovation was vital to their success so accordingly, they expanded their design team from two to eight, led by Phil Brace, a 22 year industrial design veteran, who co-designed the legendary Fisher & Paykel dish drawer.
The company says adaptability is something they will be building on in the coming years. Differentiated roducts, such as their market leading inline buggies which ‘adapt’ to take two kids and are globally unique, are key to their success.
They have taken ownership of the inline buggy category, and have grown their range significantly, expanding their offerings to include products in six categories – push, sleep, feed, carry, drive and adapt - that interconnect and compliment each other.
phil&teds has experienced massive growth since embracing design. They now do business in over 45 countries worldwide with a presence in more than 2,000 retail outlets. Exports make up 95 per cent of their business, and full time employees have grown from 12 to 47 in just three years.
Continually developing new and innovative products also remains vitally important to phil&teds success, with 80 per cent of their sales coming from products they’ve created within the past three years. In 2007, phil&teds launched 10 new products, and they intend to launch the same amount this year.
The company is causing a stir worldwide, with the world’s leading nursery chain, Mothercare International naming phil&teds as the first “brand of choice”, reporting that of the five key brands they introduced last year, phil&teds outperformed them all in terms of sales and profits.
While the company’s kiwi spirit, efforts and commitment to design, innovation and creating products that fit in with a parents lifestyle have seen phil&teds win numerous awards including the NZ Creative Exporter of the Year Award in 2006 and 2007, perhaps the truest testament of the company’s success is the fact that parents and celebrities throughout New Zealand and around the globe choose phil&teds products for their precious young ones.
In just a few short years, Amie Design Group has grown from a small home-based business run out of founder Amie Nilsson’s spare bedroom in Auckland, into a booming New Zealand export success story.
The company, which makes 100% natural merino sleepwear for newborn babies and infants under the brands Merino Kids, Pure Cotton Kids, Hum and Merino Pure, was established after mother of three Amie Nilsson had her first child, Lily, in 2003.
Lily would wake up cold in the middle of the night after wriggling her way out of her blankets, so Nilsson, a former graphic designer, set out to find an infant sleeping bag to keep Lily warm during the night. Though successful in her search, all of the products on the market at the time contained polyester, a synthetic material which gave baby Lily a rash. Unable to find a natural fibre alternative, Nilsson set out to make her own, and, voilà, the Go Go Bag, the world’s first merino sleeping bag for babies, was born.
When friends and family began asking for similar gear for their young ones, Nilsson soon realised that there was real potential for a business - a business that would fit perfectly into her new lifestyle as a mother. After extensive research and guidance from experts including NZTE, and having secured a modest bank loan, Nilsson set up a website to sell her range of natural merino fibre baby gear and the rest, as they say, is history.
In 2007 Amie Design Group won its first international product design award with its Go Go Bag, at the prestigious International Forum (iF) Product Design Awards in Hanover, Germany. Further accolades were to come, and, in 2008, the company won a further iF award for their Merino Kids Cocooi Babywrap, just a few months after its launch.
From humble beginnings just four years ago, the company has gone from just one staff member to 13 based throughout New Zealand, Australia and the UK. Today the company has a strong international following, and while it still sells its products through the internet, it is now stocked in over 50 boutique baby stores throughout Europe, Australasia and the UK.
Group revenue has increased 750 per cent over the past two years, and Nilsson expects turnover to exceed $30 million in the next four to five years. She also envisages that the company will be exporting 90 per cent of its products within three years, with growth focussed on the United Kingdom, European and North American markets.
Right from the company’s inception and throughout all facets of the business, design has been a central focus and one of the key factors contributing to its success as strong international brand.
Nilsson’s ongoing commitment to product development and innovation looks set to ensure this booming baby business, like the babies it clothes, continues to rapidly grow from strength to strength.
Sonar6, the world’s only graphics-based employment management system, was founded by Mike Carden and Mark Hellier in 2004 on the simple premise that performance management should be straightforward and rewarding.
That’s all good and well, but the question was how?
Having tested various HR tools themselves and finding them laborious and overly complicated, Carden and Hellier realised that the only way that they could achieve their goals was through design.
Sonar6 was officially launched in 2006 after two years of research and development. Carden and Hellier say that design runs deeper than just incorporating design methodologies into their business. It is at the very core of the business, and is the key that unlocks and delivers usability, allowing them to create a user-friendly interface for their performance management system that people actually want to use.
Right from the beginning Sonar6 used design to differentiate themselves from others in the market. While traditional approaches to talent management software suites focused on what Carden and Hellier call ‘functionality’ (a euphemism for jamming as many features into a package as possible), Sonar6 realised that the biggest challenge that businesses and HR departments faced was a lack of manager engagement. The men understood that while the systems currently available in the market were capable of doing just about everything required, they were often so unwieldy and complicated that no-one used them. These offerings were also geared towards HR managers, so those who had little specialist HR knowledge were unable to use them.
Taking a radical approach, and thinking of the end user – the manager and employee as opposed to the HR department – the team at Sonar6 set out to create a compelling design for an online performance management system. A system that was designed so that people - regardless of whether they were in HR or not - would want to use the software, could use the software and did use the software to assist them in managing the talent of their company.
The team at Sonar6 decided to do something that no-one in the world had ever done before – they created a graphics based performance management tool. A tool the company says, not only works, but, most importantly, is engaging.
Growth has been rapid for Sonar6. In just a few short years the company has built an impressive client list of over 50 leading New Zealand companies, including Fletcher Building, The Warehouse and IAG, and is beginning to make its mark in overseas markets including the United Kingdom, India, Australia and the United States where it recently secured L’Oreal and Amylin Pharmaceuticals as customers.
In addition to expanding its customer base (which went from 10 in its first year to 40 in its second), Sonar6 has also grown its team, with 19 staff based throughout New Zealand, in Silicon Valley and the United Kingdom.
Users of Sonar6’s management tool are raving about it and it has received international acclaim, with the product being named a “Top 10 HR Product of the Year” by leading international magazine Human Resource Executive, and its founders, Carden and Hellier, winning a Bayer Innovators Award.
The icing on the cake for the company came in 2007, when Sonar6 was invited to join Silicon Valley’s prestigious Girvan Institute of Technology, proving that design really can take your business places.
Just before the turn of the millennium, Ara, located in the world famous Marlborough region, was 1600 hectares of unshaped potential.
Enter Dr Damian Martin, winemaker extraordinaire and brainchild of the massive viniculture project; architects John Coop from leading architectural practice Warren and Mahoney and Richard Priest from Hillery Priest; shaper of landscapes, Boffa Miskell; and branding legends Geoff Suvalko and Michael Crampin from brand agency Designworks, a multidisciplinary team faced with transforming the 1600 hectare greenfield site into a global wine business.
Dr Martin, general manager and founder of Winegrowers of Ara, which is owned by Todd Capital, says choosing the team to take on the massive task of turning what was essentially a blank canvas into a successful wine business was a “long story”, but that right from the beginning they knew the land would be the major focus of the project.
“At the outset we had this massive blank canvas so we developed the business with the perspective of the landscape in mind. We interviewed landscape architects and it soon became apparent that we need to talk to architects and in talking to them we realised we needed a company like Designworks [brand agency].”
Dr Martin says that while those in the wine industry typically adopt a traditional approach to design, this was something that Winegrowers of Ara were keen to avoid.
“Here was an opportunity to push the boundaries. We were a new development in a New World country so we could be more adventurous.”
Dr Martin first visited the land in 1999, and the project got off the ground in 2001.
The multidisciplinary design team worked together on a master plan to establish a land brand or a “state of viniculture” for Ara.
The winemakers’ primary aim was to get wine offerings to the international market within five years, while branding expert Designworks’ task was to develop a unique story - an essential prerequisite for wine brands to succeed in a very crowded marketplace.
A stunning winery building was designed and built, called the Dart because from the air it resembles a dart shape, and signage was created that would work visually and also withstand the extreme weather conditions: exposed aggregate concrete caste bronze and naturally oxidizing aluminum were the core materials chosen.
To date, winemakers have planted more than 1.6 million vines which have already produced more than 20,000 cases of Composite Sauvignon Blanc, Resolute Sauvignon Blanc and Resolute Pinot Noir. Production is set to double by the end of 2008.
Winegrowers of Ara have also established a New Zealand appellation, a designated growing area governed by the rule and regulations of a central body, in this case the Ara design principles.
Although New Zealand is currently their key market, Winegrowers of Ara have started selling in the United Kingdom (UK stockists include PLB Wines, Fairfields and Riversdale), and several months ago, the company’s wines were added to the wine list in the exclusive Burj Al Arab Hotel in Dubai, the world’s tallest hotel..
In September 2007 the UK’s leading wine magazine Decanter gave the winemakers Composite Sauvignon Blanc 4 stars, just a few months after the company launched the wine in Dublin and at London’s International Wine and Spirits Fair.
Back home in New Zealand that same year, Winegrowers of Ara’s first wines – Composite Sauvignon Blanc, Composite Pinot Noir and Resolute Pinot Noir – were awarded silver in the packaging category at the BeST Design Awards, New Zealand’s premier design awards programme.
Dr Martin, whose ambition is to turn Winegrowers of Ara into Australasia’s largest single vineyard designate and a “legend in wine,” says that while the project has gone well thus far, it’s still early days for the business.
One thing is for sure however. Design will play a major part in the future growth of the business.
With IT entrepreneur extraordinaire Rod Drury at the helm and Trademe founder Sam Morgan on the board, Xero was well placed to achieve success right from the word go.
Established in 2006, Xero is a new type of accounting system – a system that, because it’s online, gives customers access to their most up-to-date financial figures – bank transactions, invoices, GST – anywhere they need it and from anywhere in the world. It’s a concept that is turning accounting on its head – transforming it from something considered to be complex, tedious and painful, into something that’s anything but.
A collaborative online application, Xero gives business owners, employees and accountants secure access to a company’s financial data through the internet and has been designed to remove complexity, automate common tasks and clarify financial information, making information digestible for both accounting experts and non experts alike.
According to Xero, design has always been central to everything it does. In fact, right from the beginning, the company identified design as its greatest opportunity for differentiation.
Its innovative software is the result of well-crafted design and technology and the company’s in-house design team (which is a very rare thing in the IT world) works in close collaboration with its engineering team across all projects.
Design is something that touches every aspect of the business - whether it’s writing an email, writing code, invoicing or website development.
The company says that every decision it makes comes down to its customers, and that accordingly, every aspect of the customer experience, from their brand, URLs, pre-sales collaterals, website and software, involves a strong design element.
Incorporating design into their business has, according to Xero, been a major factor in its success. In its first year, the company enjoyed strong customer uptake, received design acclaim from international design portals, and, in 2007, won a BeST Design Award.
In 2008, the company’s software received further recognition winning a major design and usability award from one of the world’s leading usability firms, NNgroup.com.
Proving that design can equal success, Xero reports that partners are requesting their visual and interaction design guidelines to help improve the look and feel of their offerings; sales teams are reporting that trade show attendees visit their booth just to rave about their brand design, and the company attributes much of the success of their 2007 NZX stock listing (which raised $15 million) to their strong prospectus document, which established Xero as a premium brand, offering serious global opportunity.